Warmoes Biënnale: Iriée Zamblé

Museum Rembrandthuis cureert een paviljoen tijdens de eerste editie van de Warmoes Biënnale in centrum Amsterdam. Van 7 maart t/m 3 mei 2026 zal kunstenaar Iriée Zamblé (1995) nieuw werk laten zien bij Original Pancake op Warmoesstraat 38. Haar collageserie Generational Muscle Memory bestaat uit materiaal uit familiearchieven en foto’s die ze maakte tijdens haar reizen. Deze beelden bewerkte ze vervolgens met schilder- en tekentechnieken. De serie gaat over onzichtbare verbindingen: gedrag, gevoelens en kennis die van generatie op generatie worden overgenomen.

 

Iriée Zamblé: ‘Met dit nieuwe werk onderzoek ik culturele continuïteit: wat laat je achter, wat neem je mee, en welke vormen van kennis draag je met je mee zonder ze bewust te hebben aangeleerd? Wat nestelt zich in je lichaam, houding en instinct? De beelden die ik maak tonen zowel persoonlijke als collectieve herinneringen. Van een pasfoto van mijn vader die op 27-jarige leeftijd vanuit de Ivoorkunst naar Nederland vertrok, tot foto’s die ik maakte van werkende mannen in Gorée (Senegal), eeuwenlang het grootste centrum van de slavenhandel aan de West-Afrikaanse kust.’  

 

Rembrandt en de Warmoesstraat

Tijdens de Warmoes Biënnale worden kunstwerken van hedendaagse makers getoond op onverwachte plekken in en rond de Warmoesstraat in centrum Amsterdam: in een snackbar, café of pannenkoekenhuis. Rembrandt kwam 400 jaar geleden ongetwijfeld zelf ook vaak in deze buurt, niet ver van zijn huis: om kunstenaarsmaterialen te kopen, opdrachtgevers te bezoeken of om schetsen te maken van mensen op straat – zoals van een vrouw die pannenkoeken bakt en verkoopt aan hongerige voorbijgangers. Al in de zeventiende eeuw was de buurt rondom de Warmoesstraat een plek waar je mensen van verschillende culturele en economische achtergronden tegenkwam. Je ziet hen terug in het werk van Rembrandt, en nu weer in de kunst van Iriée Zamblé.

 

Een nieuw artistiek hoofdstuk voor Iriée Zamblé

Met Generational Muscle Memory slaat Iriée Zamblé een nieuwe weg in als kunstenaar. Sinds haar afstuderen aan de HKU in 2019 ontwikkelde Zamblé zich als schilder en tekenaar. Ze was in 2020 de eerste deelnemer aan Rembrandt Open Studio in Museum Rembrandthuis, won in 2022 de Koninklijke Prijs voor Vrije Schilderkunst, en toonde haar werk in verschillende tentoonstellingen in binnen- en buitenland. Momenteel woont en werkt ze in Parijs. Tijdens de Warmoes Biënnale 2026 toont ze voor het eerst een serie waarmee ze haar vakmanschap als schilder en tekenaar combineert met archiefmateriaal, fotografie en digitale media. Haar identiteit als Nederlands-Ivoriaanse speelt een belangrijke rol: ze is gefascineerd door thema’s als gemeenschap, verplaatsing en de invloed van context op culturele identiteit.


Syntax of roots (Glycée print, BFK Rives papier 310gr, houtstkool, soft pastel  en oliestick)

 

Warmoes Biënnale

De Warmoes Biënnale is een initiatief van Bonne Reijn en Justus Cohen Tervaert, oprichters van het Amsterdamse modemerk BONNE. Hun winkel en galerie aan de Warmoesstraat 67 vormt het kloppend hart van het festival. Meer dan 19 ondernemers in en rond de Warmoesstraat openen tijdens de Warmoes Biënnale hun deuren voor hedendaagse kunstenaars. Naast werk van Iriée Zamblé bij Original Pancake (gecureerd door Museum Rembrandthuis), zie je ook kunst van onder andere Georgy Dendoe (Smib), Arash Fakhim, Buhlebezwe Siwani, Elspeth Diederix en Folkert de Jong.

Bekijk alle deelnemers en locaties hier

Rembrandt & Life

Every summer, we display a selection of Rembrandt prints from the rich collection of the Rembrandt House Museum. This year’s theme is: Rembrandt & Life. Rembrandt’s prints show you the whole of life passing by, from the cradle to the grave. For Rembrandt, every stage of life contained something interesting. He had an eye for the intimacy of a mother with her newborn child, the excitement of young love and the beauty of deep forehead wrinkles and grey beards. Walk the path of life with Rembrandt in this exhibition featuring more than 50 prints.

Rembrandt van de Buurt 2.0

‘Design your own Smib t-shirt by sketching and etching.’ This was part of the assignment given to participants by artist Georgy Dendoe (Smib) and education officer Jaleesa Clows (Museum Rembrandthuis) during the two-day workshop Rembrandt van de Buurt.

The workshops were organised in the Amsterdam districts of North, Southeast, and New West, in collaboration with the social welfare organizations DOCK, Vivell, One Youth Work, and the OBA Maakplaatsen (Makeplaces). In each district, 15 to 20 young people participated in the workshops. One winner was selected per district, and their etching was printed on a Smib t-shirt. However, there are no losers in the project, as all the participants’ works will be exhibited at The Rembrandt House Museum until January 18th and will then travel to various OBA libraries in Amsterdam.

Rembrandt van de Buurt is a collaboration project between The Rembrandt House Museum, Sumibu (Smib), welfare organisations DOCK, Vivell, One Jongerenwerk and OBA Maakplaats. It is made possible by:

Rembrandts Masterclass

Rembrandt is one of the greatest artists ever. How did he become so good? The exhibition Rembrandts Masterclass focuses on Rembrandt’s craftsmanship, his technique and his tactics. Discover his best tips and tricks. Whatever kind of creator you are, you can learn in five Masterclasses: Looking, Technique, Emotion, Experimenting and Selling.

The exhibition features etchings, paintings and a drawing by Rembrandt. But you can also get creative yourself: draw an elephant, try to recognise a real Rembrandt, practise posing for a self-portrait, and much more. You will be challenged to look, draw, experiment and analyse just like Rembrandt.

At the end of the exhibition, you will come face to face with one of Rembrandt’s masterpieces: the painting The Anatomy Lesson of Jan Deijman. In a slow watching room, you will discover step by step how this work of art brings together everything that Rembrandt was so good at. Fun for young and old!

 

Five Masterclasses

In the Masterclass Looking, you will learn that Rembrandt looked at things closely and for a long time. This allowed him to examine how they were constructed. Drawing helped him to do this. In various practical elements, you will learn to look like Rembrandt and make your own drawing of an elephant.

In the Masterclass Technique, you will discover all kinds of techniques that Rembrandt used to create a painting. He applied paint with thick strokes and sometimes even scratched the paint with the back of his brush. He hides nothing. In the exhibition, you will go on a journey of discovery: how did Rembrandt create his works of art?

The Masterclass Emotion is about feeling. People often find Rembrandt’s works of art moving. This may be due to a small detail, such as an angry hand gesture or a sad look. In this Masterclass, you will practise portraying emotions in order to touch people’s hearts.

In the Masterclass Experimenting, you will discover that Rembrandt also made mistakes sometimes. And then he improved himself. He tried and experimented a lot. Be inspired by Rembrandt to become the best, whatever kind of creator you are.

The Masterclass Selling is about how Rembrandt became so famous. This was partly due to his self-portraits. Because when your face is familiar, you become famous too. Learn how you can apply Rembrandt’s tips and tricks yourself.

 

Masterpiece temporarily on display at the Rembrandt House Museum

The exhibition ends with a slow watching room. Here you come face to face with one of Rembrandt’s masterpieces: the painting The Anatomy Lesson of Jan Deijman (1656). The painting was partially destroyed by fire: only the centre section remains. But even that part is moving and fascinating. Everything Rembrandt was good at comes together here: observation, technique, emotion, experimentation and salesmanship. With the help of an audio tour, among other things, you will discover step by step why this is a masterpiece.

The painting, which is owned by the Amsterdam Museum, currently undergoing renovation, is coming to the Rembrandt House Museum especially for Rembrandt’s Masterclass. This is the third time that the museum has offered a slow watching experience with a painting that Rembrandt made in his studio.

This painting is on loan from the collection of the Amsterdam Museum, which, due to renovation, temporarily has no place to tell the complete story of the city.


Rembrandt, The Anatomy Lesson of Jan Deijman, 1656, Collection Amsterdam Museum.

 

There will always be a painting by Rembrandt in the Rembrandt House Museum

In the coming years, a painting by Rembrandt will always be on display at the Rembrandt House Museum. It is a sketch that Rembrandt made in oil paint in preparation for an engraving. This fulfils a long-cherished wish for the Rembrandt House Museum. The painting has been part of the Rijksmuseum’s collection since 1946 and was purchased at the time with the support of the Rembrandt Society. Prior to that, it was part of various famous collections, including that of Rembrandt’s well-known pupil Ferdinand Bol.

The painting will first be shown as part of the exhibition Rembrandt’s Masterclass. This was made possible thanks to a generous gesture by the Rijksmuseum as lender and financial support from Vereniging Rembrandt (thanks in part to its Fonds Fusien).


Rembrandt, “Joseph Interpreting His Dreams”, 1633. Oil on paper on cardboard, 51 x 39 cm. Long-term loan from the Rijksmuseum. Purchased in 1946 with support from the Rembrandt Society and the Foundation for the Promotion of the Interests of the Rijksmuseum; loaned to the Rembrandt House Museum from 2025 with support from the Rembrandt Society (thanks in part to its Fusien Fund).

 

April 28 Alfred Bader Family Day

Free admission for residents of Amsterdam upon presentation of postal item with home address

In honour of the 102nd  birthday of Alfred Bader (1924-2018), Amsterdammers can visit the museum for free. This has been made possible through the support of Bader Philanthropies. Alfred Bader was an American art collector and great admirer of Rembrandt. Bader also collec­ted the work of Rembrandt’s friends and pupils. In order to share this art with a larger public, he lent regularly to exhibitions, also at Rembrandt House Museum. He passed away in 2018, and his wife Isabel in 2022, having left their art collection to museums. Bader Philan­thropies was established to support various areas – the arts, education and the economic well being of people in the United States, Canada, Central Europe, and Israel.

Book you free ticket here.

 

This exhibition was made possible thanks to the support of

Rembrandt Open Studio: Pris Roos

Pris Roos builds a new ‘home’ in the museum
This fall, artist Pris Roos will be present in the Open Studio. Two days a week she will be creating art, live in the museum. As part of the exhibition THUIS. The feeling of home in contemporary art, she will build a large-scale installation: a new home made of recycled cardboard and pastels. Each room focuses on the personal story of a single individual.

For this project, Roos visited several people at home and asked: “What does ‘home’ mean to you?” Based on these conversations and her impressions, she created an interior. Her material, cardboard, is no coincidence: it originated from her parents’ shop. This cardboard held items from all over the world, brought to the Netherlands. Items often purchased by people with different cultural backgrounds, looking for something that reminds them of home.

With this Open Studio, the Rembrandt House Museum returns briefly to its origins: an artist’s home where—both 400 years ago and today—new and innovative art is created. Come visit and see firsthand how contemporary art is made.

 

Dates when Pris Roos is working in the museum
Thursday 18 december
Sunday 21 december
Monday 22 december
Sunday 28 december
Monday 29 december
Tuesday 30 december

The artwork can be viewed until January 4th, 14:00.

 

More information about THUIS
Read more about the exhibition
THUIS. The feeling of home in contemporary art here: https://www.rembrandthuis.nl/en/exhibition/home/

Photo: Aad Hoogendoorn

 

Open Studio is made possible thanks to the support of the Gieskes-Strijbis Fonds.


THUIS

An exhibition about the feeling of home in contemporary art

What does ‘home’ mean? For some, it is an interior that suits you, for others a memory of the past. Or it is simply a safe place that is all yours. In the exhibition THUIS. The feeling of home in contemporary art, thirteen contemporary artists reflect on the sense of home – from symbols of home to the loss of a house. On view from 26 September 2025 to 4 January 2026 at Rembrandt’s home. 

With artworks by Sadik Kwaish Alfraji, Arash Fakhim, Foundland Collective, Arjan van Helmond, Gvantsa Jgushia, Polina Medvedeva, Neda Mirhosseini, Olphaert den Otter, Satijn Panyigay, Pris Roos, Maria Roosen, Tian Teng, Pink de Thierry and Rembrandt.


Maria Roosen, Droomhuis, 2002. Ceramic and gold foil, 48 x 32 cm. Collection AkzoNobel Art Foundation

 

At home with Rembrandt 

For Rembrandt, everything came together in his house. It was the place where he lived, educated his students, received his clients, and created his masterpieces. Where he experienced joy and sorrow. A visit to the Rembrandt House Museum means stepping into Rembrandt’s shoes and into his home. The feeling of home is also a recurrent topic in his work, as are the people Rembrandt shared his house with. The exhibition THUIS. The sense of home in contemporary art shows several prints by Rembrandt: from a quick sketch of his sick wife Saskia in bed to narrative etchings in which ‘home’ means that you are always welcomed with open arms, or perhaps not.

 
Neda MirhosseiniLunch at Fatemeh’s, 2024. Coulored pencil on paper. Museum Rembrandthuis, Amsterdam

 

Our current sense of home 

What role does the house, and the sense of home, play in contemporary art? The feeling of home is a universal experience, relatable for everyone – whether you come from Amsterdam, Baghdad or Shanghai. It refers to a place where you can rest, love, play, be together and, above all, be yourself. In current times everyone also comes into contact, directly or indirectly, with the search for a new home. Never in history has there been so much global migration, whether voluntary or forced. And having (or keeping) a home is not a given for everyone.  


Olphaert den Otter, Uit de Postcodeserie 3084 AA #4, 2019. Egg-tempera on paper, 18 x 26 cm. Courtesy of the artist

 

Thirteen contemporary artists 

In the exhibition THUIS. The feeling of home in contemporary art, thirteen contemporary artists reflect on the feeling of home – from symbols of home, the search for a new homeland and the house as an extension of your identity, to displacement and the loss of a home. The participating artists all work in the Netherlands, but many also have roots in other parts of the world: Sadik Kwaish Alfraji, Arash Fakhim, Foundland Collective, Arjan van Helmond, Gvantsa Jgushia, Polina Medvedeva, Neda Mirhosseini, Olphaert den Otter, Satijn Panyigay, Pris Roos, Maria Roosen, Tian Teng and Pink de Thierry. 

 

Pris Roos builds a new ‘home’ in the exhibition

Artist Pris Roos will be working live in the exhibition space for the duration of the exhibition. Commissioned by the Rembrandt House Museum, she will spend two days a week building a new home using recycled cardboard and pastel chalk. In doing so, she continues her award-winning oeuvre of cardboard interiors, in which the personal story of one individual is brought to life each time. This installation is based on conversations that Roos regularly has with peoplefriends, acquaintances, customers of her parents‘ shop – about the question: ‘What does ‘home’ mean to you?’.


Pris Roos, photo Aad Hoogendoorn

With this Open Studio in the first exhibition space, the Rembrandt House Museum returns to its core: an artist’s house where (both 400 years ago and now) new and innovative art is made. During the duration of the exhibition, visitors will have the opportunity to see a contemporary artist at work, and to talk about the topic of feeling at home’.

 

Get a glimpse of the exhibition

The exhibition THUIS. The feeling of home in contemporary art is on view in the Rembrandt House Museum from 26 September 2025 to 4 January 2026. Keep an eye on this page for the latest updates and activities.

The exhibition is made possible thanks to the support of the Mondriaan Fund and the Zabawas Foundation.

Rembrandt & Amsterdam

Discover the city through Rembrandt’s eyes in the new summer exhibition  


Rembrandt, View of Amsterdam, c. 1640-1641 

This year, Amsterdam celebrates its 750 anniversary. The city has much to offer, for residents and visitors alike. That was also the case in the old days. Look at Amsterdam through Rembrandt’s eyes and discover what had already made the city unique 400 years ago.  Admire old buildings, unusual places and beautiful surroundings. Enjoy the art, culture and entertainment. Meet interesting people. Spot well-known Amsterdam residents. And find out whether the city already had a red light district in the seventeenth century. 

You can see it all in this exhibition containing 60 prints and drawings from the collection of the Rembrandt House Museum. Visit the exhibition through September 7, 2025.

 

Some highlights 

Rembrandt moved to Amsterdam around the age of 25 and lived here for the rest of his life. In and around the city he found everything he needed: from beautiful buildings, entertainment and culture in the city centre to walks in nature outside the city walls. He recorded his impressions in his prints and drawings. Some highlights from the exhibition: 


Rembrandt, The Windmill, 1641 

Little Stink Mill 

Amsterdam has those special places where people like to go. A beautiful viewpoint or a striking monument, for example. This mill stood on the rampart of the city wall, at the end of the Looiersgracht. It was a beautiful high location for looking out over the meadows. On the right in the distance, on the next rampart, stand two people who are also enjoying the view. But as the son of a miller, it must have also been the mill itself that attracted Rembrandt’s attention. However, this spot was not always pleasant. Leather was treated with cod-liver oil in this mill. Hence the nickname ‘Kleine Stinkmolen’ – Little Stink Mill. 

 


Left: Rembrandt, The Quacksalver, 1635 | Middle: Rembrandt, Beggar Woman Leaning on a Stick, 1646 | Right: Rembrandt, ‘The Pissing Man’, 1630  

People Watching 

At first glance the man on the etching on the left looks like a pedlar: someone who sells all kinds of useful stuff in the street. But his extravagant clothes, including his codpiece, tell us that he is a ‘quacksalver’: a hustler who sells fake medicines. If you walked along the streets in seventeenth-century Amsterdam you would have met all kinds of people. On one street corner you might be asked for alms, on the next one you might shake hands with an intellectual. On the way you might run into a drunkard and an expat. Exactly like today. The ideal city for Rembrandt, who found all of those different people fascinating. 

 


Left: Rembrandt, Ruins of the Old Town Hall in Amsterdam, 1652 | Right: Rembrandt, The Omval, 1645  

The Old Town Hall 

On the drawing (left) you can see the ruins of Amsterdam’s medieval town hall on the Dam. In the early Sunday morning of 7 July 1652 it was destroyed by fire. The plumes of smoke could be seen from far away. Many artists recorded the destruction. Rembrandt did too. Remarkably enough he subsequently had no interest in the gigantic, new town hall (now the Royal Palace in Dam Square). He never depicted that building.  

Walks Outside the City Walls 

Rembrandt often walked out of the city along the Amstel. Where the river makes a sharp bend, there is a spit of land which is still called De Omval. There are flats there now, but in the past you could easily spot birds; there were starlings, ducks, herons, wood pigeons and skylarks. In this etching you can spot a very different kind of pastime. Just look into the bushes: there’s a courting couple. 

 


Left: Rembrandt, Jan Lutma, 1656 | Right: Rembrandt, Clement de Jonghe, 1651 

Famous Amsterdammers 

A big city naturally also has famous residents. They add glamour to city life. Rembrandt knew many famous Amsterdammers, because he had made portraits of them. For instance, Johannes (Jan) Lutma, here on the left; he was a silversmith, the best in town. Rembrandt portrayed him as a monarch on his stately throne. Another famous Amsterdammer was Clement de Jonghe (here on the right). He was a well-known seller of prints in Kalverstraat. If you wanted to buy a Rembrandt etching in the seventeenth century, you could go to him.

 


Rembrandt, The Ringball Player, 1654  

Entertainment 

Amsterdammers loved playing sports. Ball games were particularly popular. The man on the left is playing beugelen, a form of croquet. A ball has to be hit through a ring with a wooden shovel (a ‘sleger’). Beugel alleys were usually located near taverns. The man on the right is sitting indoors and he has already started ‘the third half’’. Entertainment is perhaps one of Amsterdam’s main attractions today – from cinemas and casinos to canal boats and football stadiums. They couldn’t match what’s on offer now in the seventeenth century, but there was plenty to do even then. You could go to the theatre in the Schouwburg twice a week, or visit one of the many inns, drinking establishments and gambling houses, where music was also played.

 

Book: Rembrandt & Amsterdam 

The exhibition is accompanied by a beautifully designed book, featuring all the prints and drawings on display, and the stories behind them. It is available in the museum shop for €9.95. This publication is the third part in a series about Rembrandt’s prints from the collection of the Rembrandt House Museum. The previous publications ‘Rembrandt & Love’ and ‘Rembrandt & the World’ are available separately. This series was made possible thanks to the generous support of the Zadelhoff Cultuurfonds.

 

Do it yourself

Draw like Rembrandt

In our drawing studio (on the third floor of the exhibition wing), you can make a drawing just like Rembrandt did. Rembrandt often went outside to draw. He made drawings in the city and in the surroundings of Amsterdam. He sketched landscapes and people, but sometimes also buildings that he found beautiful. In 1654, Rembrandt drew the Montelbaantoren, directly across from his house. Try it yourself in a few simple steps. Drawing tables, drawing materials, and an easy instruction are all set up for you. This activity is free, always available, and suitable for everyone from 6 years old.

 

Etch like Rembrandt

Step into Rembrandt’s footsteps during our workshops ‘Etching at Rembrandt’s home’. From July 12th through August 24th, you can add your own twist to an Amsterdam etching from the exhibition by experimenting with the drypoint technique! On a large etching press, you will print two prints, which you can take home afterwards. Click here for more information on this workshop

 

Cruise with Rembrandt

See the city from the water, just like in the 17th century. This atmospheric canal cruise takes you past locations connected to Rembrandt’s life and his contemporaries. Book the Rembrandt cruise here.

 

Walk with Rembrandt

Wander through the historic streets where Rembrandt lived and worked. Discover hidden spots, personal stories, and iconic locations that shaped his life. Click here for the free walking tour.

The Illusionist. Samuel van Hoogstraten


Samuel van Hoogstraten (1627-1678), a name to remember. He learned and worked with Rembrandt, in the pupils’ studio of the Rembrandt House. Of all Rembrandt’s students, he became the most successful. During his lifetime, that is. Because, after the 17th century, he was forgotten by the general public, despite the fact that he was a learned artist who constantly experimented with different subjects and optical tricks. He was a pioneer of illusionism: the 3D artist of his time. Later in life, he wrote a famous book full of instruction for new generations of painters. This was his intellectual masterpiece. High time or a renewed introduction.

In this exhibition you will get to know Samuel van Hoogstraten, discover the art of illusion and get to try it out yourself: see past the trickery and create your own optical illusion.

⚫⚫⚫⚫ – Trouw

The Rembrandthuis in Amsterdam shows what painting is capable of illusionism with paintings and drawings by Samuel van Hoogstraten. – NRC

Universal artist
Like his master, Rembrandt, Van Hoogstraten believed that, as a painter, you ought to be able to depict everything. He liked to move between still life, architectural views, scenes from daily life, portraits, and biblical or mythological depictions. There is one subject, however, that is primarily associated with Van Hoogstraten: optical illusion. He was a true pioneer of the painting of trompe l’oeil still lifes, with which he achieved his greatest (international) successes.

Most famous illusion
A highlight of the exhibition is Van Hoogstraten’s Old Man in a Window from 1653. His most famous painting, and an amusing eye deceiver. An old man in life size sticks his head out of a window. Van Hoogstraten precisely rendered all the various materials. Everything looks real. He placed a feather and a slender leaf on the windowsill, on the edge between the painted world and the real one. As if he meant to challenge the viewer to pick them up. Even the monogram and date are part of the visual deception: the text ‘SvH 1653’ appears to have been carved into the bottom right-hand corner of the window frame.

Letter boards
Van Hoogstraten’s letter boards were groundbreaking. He even fooled the Viennese emperor, who reached out to grab an object from one of Van Hoogstraten’s painted letter boards. The items on Van Hoogstraten’s letter boards look like they were brought together by chance. But often they had a very personal meaning for the artist. Therefor a letter board by Van Hoogstraten can be considered a self-portrait as well.
From Vienna to Amsterdam

The exhibition about Samuel van Hoogstraten is part of a diptych, in collaboration with the Kunsthistorisches Museum in Vienna. After his success in the Viennese exhibition, Samuel van Hoogstraten travels to Amsterdam. In the Rembrandt House Museum, many special works of art from foreign collections will be on display in the Netherlands for the first time.

 

With thanks to: Bader Philanthropies, De Turing Foundation en Het Cultuurfonds, Fonds 21, Mastercard, De Rijksdienst voor het Cultureel Erfgoed, Blockbusterfonds, De Huysgenoten, Vrienden van Museum Rembrandthuis, Amsterdams Fonds voor de Kunst en Kikkoman.

Experimentation

All the artists you will encounter in the exhibition Experimentation – from the 17th century to now – have one thing in common, they experimented without holding back. By trying out different techniques and materials, they continually discovered something new. And they approached the same theme over and over with a fresh perspective. Thanks to these experiments, they developed their craftsmanship into mastery. Discover artworks from the Rembrandt House Museum collection by Rembrandt, Geertruydt Roghman, Glenn Brown, Erik Desmazières, Gérard de Palézieux, Reinder Homan and Willem den Ouden, amongst many others.

In this exhibition you’ll also have the opportunity to make a drawing yourself, right in the middle of the gallery! Try out different types of paper and drawing materials. Just like the artists around you – each and every one of them a source of inspiration.

Experimenting with trees
If Rembrandt were to have a motto, it would have been ‘work from life’. In other words: observe your subject very carefully. This way he was able to very convincingly depict a group of lonely trees on a hill. You can almost hear the approaching wind rustling through the leaves. But Rembrandt was certainly not the only one with strong observation skills. In this exhibition you will see prints by artists from the 17th to the 20th century, who all put their own spin on the same subject. Every print includes a tree, yet it is never the same.

Experimenting with Rembrandt
Tronies were very popular in the 17th century. They are portraits of models that portray a specific type or an emotion. Rembrandt was a master at making tronies. Contemporary artist Glenn Brown (1966) took Rembrandt’s tronies as the basis for his own series. On his iPad he transformed Rembrandt’s artworks into a wild interplay of lines. He then made an etching of the new tronie. Finally, he superimposed two etchings and made the prints that are shown in this exhibition.

Experimenting with the art room
Erik Desmazières (1948) is fascinated by spaces that house collections, like libraries and wunderkammers. In 2007 he visited the Rembrandt House Museum to study Rembrandt’s art room. He made a series of prints based on it. It’s the same arrangement every time, but with some subtle changes. He printed the copper plate several times, adjusting the image slightly between each printing. Sometimes he added more shadows, sometimes some objects. He also experimented with various types of paper.

Experimenting with lines
Willem den Ouden (1928) has lived on the Waal River and studied the landscape for over fifty years. He looks at how he can capture the atmosphere of the river. With just a few lines he depicted the flowing water, the reflections of clouds and low-hanging mist. He prints his lithographs on thin Chinese paper that is glued to a sturdy sheet of paper. There is a French term for this: chine collé. This technique causes the paper to protrude slightly, creating a shimmering effect.

Etched Denim

Invited by the Rembrandt House Museum, another famous Amsterdam creative brand steps into the footsteps of Rembrandt. Following the immense success of the temporary tattoo workshop by Schiffmacher & Veldhoen in 2023, fashion brand G-STAR is innovatively translating Rembrandt’s craftsmanship into Denim. Inspired by Rembrandt’s etching technique and his iconic self-portrait from the museum collection, the G-STAR design team has combined the latest laser technologies with experiments on various types of Denim. This is G-STAR’s tribute to ancient craftsmanship in a modern way.

Rembrandt was not only a great painter, he was also a phenomenal etcher. For example, he not only printed his prints on regular paper, but also experimented with other materials, such as parchment and Japanese paper. This was the reason for G-STAR to give a modern interpretation to his innovative way of experimenting. The designers chose Rembrandt’s self-portrait from 1639 as a basis and investigated with the latest laser technology which types of denim, washings and coatings yielded the best results. In addition, the artworks were adjusted a little bit. Sometimes with the help of AI. The Etched Denim exhibition shows some of Rembrandt’s famous prints and also shows the research into the denim collection.

At the same time as the exhibition, G-STAR is launching a capsule collection. It consists of two denim jackets, two jeans, a shirt and a parka. The unisex collection is available from 31 October in selected G-STAR stores and on g-star.com.

ETCHING ON DENIM
Family workshop

During the Christmas holidays, you can print your own etching on denim. Get started with Rembrandt’s etching technique and discover how you can print your own drawing on denim.
These family workshops are organized daily during the Christmas holidays (closed on Christmas Day), costs €7.50, museum entrance not included. Suitable for everyone from 8 years and up. With a Stadspas, the workshop and museum entrance are free. Maximum 15 participants. 

Book your tickets here: Museum Rembrandthuis – online tickets

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