Rembrandt Open Studio 

This autumn, you can meet two contemporary artists at the Rembrandt House Museum! For two months, from 5. October until 1. December 2024, Rens Krikhaar (1982) and Neda Mirhosseini (1995) will set up their studios in one of the museum galleries and create their art, live. As early as the seventeenth century, Rembrandt’s house was a creative hub. A place where Rembrandt and his pupils made art every day. Now, 400 years later, we are bringing back this practice with Rembrandt Open Studio. Each autumn, a new generation of artists is invited to create new work at Rembrandt’s home.    

Krikhaar and Mirhosseini share Rembrandt’s rich imagination. Also, like Rembrandt, both artists have a penchant for working on paper. Mirhosseini creates portraits of friends and captures their shared moments in still lifes of tables that have not yet been cleared. These drawings allow her to make any place that’s new to her familiar, and tell stories about her own life. Krikhaar, on the other hand, seeks out the unknown in his artworks. In his drawings and graphic work, we follow a seventeenth-century explorer, who sometimes encounters very unexpected things on their adventures. Krikhaar and Mirhosseini, both in their own way, invite you to explore their paper worlds.  

Left: Rens Krikhaar, M’asaaf Riss expedition journal | Right: Neda Mirhosseini, Late Night Early Morning

Rens Krikhaar  

The world of Rens Krikhaar (1982) consists of an archipelago with many islands. His work features giant animals, menacing mountainous regions and hallucinatory scenes, ready to be discovered. Krikhaar paints, draws and etches in dramatic light-dark contrasts an ever-growing ‘Terra Incognita’. Man is but a small shadow. Krikhaar: ‘During my working period at the Rembrandt House Museum, I hope to take visitors into my process, and further develop my own work in this special environment.’    

Neda Mirhosseini  

Neda Mirhosseini (born 1995) documents her daily life through drawings. She shows friendship and intimacy by zooming in on the moments and ways people come together. Portraits of her friends are accompanied by still lifes of tables that have not yet been cleared. The empty wine glasses, coffee mugs, food leftovers, plates and cutlery are the remnants of shared moments, of social connections. According to Mirhosseini, these objects possess a hushed poetry: ‘They are subtle references to the lives that take place behind closed doors.’  

Rembrandt Open Studio with Rens Krikhaar and Neda Mirhosseini is on view from 5. October to 1. December 2024 in the Rembrandt House Museum.  

Typically Dutch – that’s how many people see Rembrandt and his work. Unlike many artists of his era, Rembrandt never travelled abroad. But make no mistake. A lot of the world is reflected in his etchings, from lions, exotic shells and turbans, to mountainous landscapes and Italian buildings.

The Rembrandt & the world exhibition will take you on a journey past more than forty of Rembrandt’s etchings from the Rembrandt House Museum collection, etchings that always reveal something that is not typically Dutch. Discover where Rembrandt got his knowledge and inspiration, and how worldly-wise (or unworldly?) he really was. 

Fantasy world

If Rembrandt had a motto, it would have undoubtedly been ‘work from life’. Show what you see: just as it is. Yet he often gave free rein to his imagination. Surprisingly enough, this was also the case with some of his self-portraits.

Stuff

Every 17th-century Amsterdammer knew that the world was bigger than their own neighbourhood. Sea trade was booming business. And through the port, things from all over the world came into the city, some bought, others plundered. Rembrandt enjoyed collecting these new, inspiring things. You regularly see these objects in his etchings.

People

In Amsterdam there was a great diversity of people to be seen on the streets: foreign visitors, international theatre companies, traders passing through and of course immigrants from different countries who had made the city their new home. Rembrandt was often inspired by them.

Clothes

Certain items of clothing and accessories can give a character a little more personality or flair. But Rembrandt could also make many things clear with clothing. What era a scene takes place in, how rich or poor people are, what country or continent they come from and sometimes what their religion is.

Landscapes

High peaks, deep valleys – you see both in Rembrandt’s etchings. But he will never have seen them himself. Mountainous landscapes do not exist in the Netherlands. And unlike many artists of his time, Rembrandt never travelled abroad. He would have had to use his imagination for such etchings.

Buildings

To make stories believable and convincing, the setting must be right. Biblical stories are set in the Middle East. That environment looks different from Rembrandt’s neighbourhood. Rembrandt had to use his imagination for this. Or copy from his more travel-loving fellow artists.

Animals

There are many exotic animals in Rembrandt’s etchings, lions, snakes and elephants. He was able to study some of these in real life, during the annual autumn fair in Amsterdam. For others he had to be creative, not always completely successfully.

In the first room, you can go to work yourself. You will find some  exotic shells like Rembrandt has drawn, and drawing materials. And a few practical drawing instructions! Make a drawing of Rembrandt’s shell, or something else that reminds you of the big wide world.

Workshop

In Museum Rembrandthuis you can make your own etching during the summer holidays! In this workshop, give your own twist to an etching from the exhibition Rembrandt & the world. The museum teacher will teach you how you can easily recreate Rembrandt’s etchings with, for example, shells, lions, or his own self-portrait with turban and sword. Experiment with Rembrandt’s drypoint technique and print two prints on the large etching press. You can take these home afterwards. Book your tickets here

In October 2023, we launched the ‘Rembrandt of the neighbourhood’ project. Young Amsterdammers aged between 16 and 24 learned more about and from Rembrandt and Sumibu, at three locations in Amsterdam: districts Noord, Zuidoost and Nieuw-West. This was reflected in self-made etchings and then T-shirt designs. Each design has its own personal story. All etching designs hang in the museum’s Open Studio until 4 February. Georgy Dendoe, founder Sumibu, chose a winner from each district of the city – their etchings have been given an extra-large frame and can only be bought as T-shirt designs in the Museum shop. Proceeds from the T-Shirts will go towards the next edition of this project.

Rembrandt as director in the spotlights

A number of masterpieces are coming to Museum Rembrandthuis for the exhibition, from the Staatliche Museen zu Berlin, Mauritshuis and The Kremer Collection, among others.

Exhibition at the Stadsarchief Amsterdam

Concurrently with the exhibition Regie: Rembrandt, the Stadsarchief Amsterdam is organising a treasury exhibition highlighting the broader context of the Amsterdam Schouwburg, its playwrights and actors, and its role in the city.

The exhibition Directed by: Rembrandt will take place from 2 March to 26 May 2024 at Museum Rembrandthuis. 

01.07.23- 15.10.23 

Rembrandt painted two peacocks – dead peacocks to be specific. It is a very special work of art. There is only a single other painting by him in which a dead bird plays the leading role (The Bittern Hunter, 1639). The picture with the peacocks has the character of a decorative piece, a work of art meant to enliven an interior. These were often hung up high, for example above a door. Peacocks are suitable subject matter for such a decorative piece, because it conjures the atmosphere of the countryside.

Coincidence or not, Rembrandt painted the peacocks around the time that he came to live in this house on the Jodenbreestraat. Perhaps he even made it for his own new house. In this way he could bring a piece of idyllic country life into his residence in the busy city.

In the multimedia tour you can find two ways of looking at and experiencing Rembrandts Still Life with Peacocks, much like a guided meditation.

Van 17 t/m 25 juni 2023 houden Henk Schiffmacher en zijn tatoeëerders atelier bij Rembrandt thuis. Gedurende een week kun je een originele Rembrandt-tattoo laten zetten door het wereldberoemde team.

Wil je zeker zijn van een meesterwerk? Reserveer dan nu een tijdslot bij je favoriete tattoo artist via rembrandthuis.nl.

Rembrandt Forever
Rembrandt en Schiffmacher & Veldhoen hebben veel gemeen: ze zijn wereldberoemd, grootmeesters in hun vak en diepgeworteld in het DNA van Amsterdam. Ook hun kunst kent belangrijke overeenkomsten: bij zowel etsen als tatoeages begint het met een tekening, die vervolgens met inkt en naald op het medium wordt aangebracht. Waar Rembrandt een koperplaat en vel papier gebruikte om zijn compositie tot een ets te maken, brengen tatoeëerders hun tekening aan op de menselijke huid; een kunstwerk dat je levenslang altijd bij je draagt.

Schiffmacher en zijn team zullen hun atelier opzetten in de moderne museumvleugel. In de zeventiende eeuw was het pand aan de Jodenbreestraat een cultural hub, waar Rembrandt, zijn assistenten en zijn leerlingen samenwerkten aan hun kunstwerken. Nu gaat een nieuwe generatie 21^ste-eeuwse kunstenaars hier aan het werk. Het museum blijft zo een plek waar het bruist van vernieuwing en experiment. Tegelijkertijd wordt de eeuwenoude kunst van etsen en inkttekeningen in ere gehouden.

Meld je aan
Tijdens hun residency in Museum Rembrandthuis biedt het team van Schiffmacher & Veldhoen Tattooing een aantal tattoo-ontwerpen aan, waaronder originele etsen van Rembrandt, Rembrandts handtekening en zijn monogram. Op rembrandthuis.nl/thepoormansrembrandtproject kun je vooraf de beschikbare tatoeages bekijken. Ook kun je hier een tijdslot reserveren om de tatoeage te laten zetten in het museum. De prijzen van de tatoeages variëren van 100 tot 250 euro. Bij het reserveren wordt om een aanbetaling van 50 euro gevraagd. We houden per dag een aantal plekken beschikbaar voor spontane inloop, maar wil je zeker zijn van een plekje, reserveer dan vooraf een tijdslot. Er zijn in totaal XX tijdslots beschikbaar.

Ontmoet het team

Henk Schiffmacher is sinds 45 jaar een begrip in de tatoeagewereld. De Amsterdamse tattookoning organiseerde de eerste grote tattooconventies in Europa, publiceerde ruim 20 boeken en exposeerde in diverse musea, waaronder Musée du Quai Branly in Parijs en het Royal Ontario Museum in Toronto. Hij beschouwt de samenwerking met Museum Rembrandthuis als een hoogtepunt in zijn carrière.

Tycho Veldhoen groeide op in de kunstwereld, als jongste zoon van de bekende Amsterdamse kunstenaar Aat Veldoen. Van hem leerde hij schilderen, tekenen en etsen. Het tatoeëren werd hem bijgebracht door Henk en Louise Schiffmacher, waarna hij aan het werk ging bij verschillende tattoogrootheden in de Verenigde Staten. Sinds 16 jaar is hij officieel partner van Schiffmacher & Veldhoen Tattooing.

Rupa van Teylingen is kunstschilder en tatoeëerder. Ook hij groeide op omringd door kunst: zijn vader was schrijver, zijn stiefvader specialist op het gebied van zeventiende-eeuwse stillevens. Hij studeerde af aan de Ruud Wackers Academie in Amsterdam als klassiek tekenaar, waarna hij bij Schiffmacher en Veldhoen in leer ging. De afgelopen tien jaar is hij afwisselend in de tattooshop en in zijn eigen atelier te vinden.

November 4, 2023 – February 5, 2024

Rembrandt has many faces: the genius, the miller’s son, the rebel. All of these labels were pasted onto the famous artist over the centuries. In the exhibition Framing Rembrandt, The Rembrandt House Museum will take you on a journey along four centuries of imaging, through art, documents and surprising objects. Additionally, one of the exhibition rooms will be converted into a cinema, where fragments from biopics (biographical fiction films) about Rembrandt will be shown; from the earliest film from 1920 and a Nazi propaganda film from 1942, to the latest film adaptation of Rembrandt’s life made in 2006.

After a successful first edition of Rembrandt Open Studio in 2020, with artists Iriée Zamblé (1995, Amsterdam) and Timothy Voges (1993, Curacao), and this summer’s temporary tattoo studio which was run by Henk Schiffmacher (1952, Harderwijk) and Tycho Veldhoen, two contemporary artists will again work at Rembrandt’s home this autumn. Abul Hisham (1987) and Guy Vording (1985) will work in a studio in the Rembrandt House Museum for a month and a half. Hisham and Vording, just like Rembrandt himself, have their own styles and idiosyncratic views of the world.  They also share Rembrandt’s talent for telling stories, managing to capture a memory, social criticism, situation, or character sketch all in a single image.

With its Rembrandt Open Studio initiative, The Rembrandt House Museum repeats its own history. Rembrandt’s house was already a creative hub back in the seventeenth century, a place where Rembrandt and his students created art every day. Now, 400 years later, artists once again have the opportunity to work in Rembrandt’s house. The studio is inside the museum: it gives visitors an opportunity to see the process of creating contemporary art up close and meet a new generation of talented makers.

Rembrandt Open Studio with Abul Hisham and Guy Vording will take place from 1 October to 15 November 2023 in The Rembrandt House Museum.

Abul Hisham:

‘Being given the opportunity to interact more with the visitors will be a new experience for me, one that I look forward to: I like to meet and talk to people and I’m happy that I’ll be able to show them my practice personally.’

Guy Vording:

‘I really believe that a residency in the Rembrandt House, immersed in its history, its residents and the public, will enhance Rembrandts’ influence on my work. I’m looking forward to this game, this interaction, like a student guided by the master.’

Abul Hisham (1987)  Hisham mainly works with pastels and raw pigments on wood. In this respect, he considers Rembrandt to be a great example: Rembrandt’s method of preparation and application of paint inspires Hisham in his own artistic practice. Many of Hisham’s artworks form a series; together, they reveal a bigger picture that deals with desires, death, religion and socio-political systems. His personal memories of his life and family in India often find their way into his art. Even so, he does not reveal everything; viewers are given the freedom to personally unravel and interpret the layers of symbols and meanings. Hisham completed his master’s degree in Hyderabad, India in 2012, and has been working as a visual artist ever since. In 2021, he moved to the Netherlands to follow a study programme at the Rijksakademie voor Beeldende Kunsten (State Academy of Fine Arts), which he completed this year.

Abul Hisham, Portrait of a Lawyer, 2022

Hisham: ‘As a painter I feel a great kinship with Rembrandt’s works. I still remember how I used Rembrandt’s famous painting of Belsshazar’s Feast as a reference. I have always been fascinated by his use of colour and texture, his experiments and his compositions. It is a rare experience to be working so close to his own studio, printmaking space and the collection of his etchings. I feel that through this residency I can continue my practice, research and experiment in Rembrandt’s footsteps. Being given the opportunity to interact more with the visitors will be a new experience for me, one that I look forward to: I like to meet and talk to people and I’m happy that I’ll be able to show them my practice personally.’

Website: Rijksakademie – Abul Hisham

Guy Vording (1985) Vording is a real disciple of Rembrandt when it comes to knowing what to leave out and what to draw attention to in order to successfully convey a story. His artwork starts with American magazine articles from the 1940s, which he has been collecting in albums for years. After choosing a suitable page, Vording first decides which part of the illustration and text he wants to keep, then fills in the rest with pencil. What remains is a surprising, new visual story, which often deals with people’s inner lives versus social expectations or assumptions. Vording graduated from the HKU (University of the Arts Utrecht) in 2013, and has been working as a visual artist ever since.

Guy Vording, Black Pages: Vanavond niet (Black Pages: Not Tonight), 2020.

Vording: ‘Although it’s in my nature to cling to my own familiar studio, in recent months I’ve started to explore places outside of it. The fact that I now have the opportunity to work in the same house as Rembrandt is a real honour, and couldn’t have come at a better time. Rembrandt’s etchings have always attracted me, and consciously and unconsciously influenced my work, especially in my Black Pages series. I recognise the fine lines that he has placed in a controlled manner and the play of light and shadow. For this reason, I believe that a residency in the Rembrandt House, immersed in its history, its residents and the public, will enhance Rembrandts’ influence on my work. I’m looking forward to this game, this interaction, like a student guided by the master.’

Website: Kunstenaar | Guy Vording | Amsterdam

July 1 – October 15, 2023

Rembrandt is known as a passionate man. But do you see that reflected in his etchings? In the summer exhibition Rembrandt and Love you’ll look at love through Rembrandt’s eyes: from dramatic love to parental love, from charity to love for animals. Of course, Rembrandt’s own love life will also be featured: the artist immortalized his first great love, Saskia Uylenburgh, on the etching plate more than once. Rembrandt and Love will show more than 50 etchings from the collection of The Rembrandt House Museum. You can’t help but fall in love.

Great love

There is no doubt about who Rembrandt’s great love was. That was Saskia Uylenburgh, the daughter of the burgomaster of Leeuwarden. The couple married in 1634 and had a son. Quite soon disaster struck: Saskia died in 1642. Rembrandt was devastated by her death. After Saskia he went on to have love affairs with Geertje Dircx and Hendrickje Stoffels. But he only ever made etchings of Saskia. Rembrandts etched her at her most beautiful, hung with pearls, but also at her most vulnerable, during her sickbed. The exhibition Rembrandt & Love goes beyond Rembrandt’s great love. The eight themes that follow reveal all of Rembrandt’s loves, both in life and in art.

Getting to know Rembrandt

Rembrandt etched several scenes of dramatic love. They demonstrate his passion for grand and compelling stories. But his prints also feature playful love between people. His depictions of parental love and charitable love show his great empathy. And because of the many dogs sniffing around in his etchings, we can be fairly certain that Rembrandt must have been a “dog person”. His prints also reveal what Rembrandt’s two greatest hobbies were: collecting rarities for his art room and taking walks in and around Amsterdam – with both forms of pastime, he united the pleasant with the useful. And what about his self-portraits? Was this self-love, or just clever marketing?

A good look

Many of Rembrandt’s etchings in Rembrandt & Love are an invitation to look closely. After all, the display of love is not always laid on thick. Take, for example, one of Rembrandt’s most famous etching: The Three Trees from 1643. The swelling clouds, the pelting rain and the lone group of trees provide a lot of drama. This suits the fierce passion of the young couple. Can you spot the tucked-away lovers in this etching?

A Son, a Father, a Masterpiece
March 18 – June 4, 2023

The young Titus van Rijn stares dreamily over the edge of his lectern. Father Rembrandt caught his gaze in 1655, when he lived with his family in the stately building on the Jodenbreestraat in Amsterdam. Nearly 400 years later, we managed to get Titus back home – to the place where Rembrandt’s masterpiece was painted, in the house where Titus was born. In The Rembrandt House Museum you will come face-to-face with the iconic painting from the collection of Museum Boijmans Van Beuningen (Rotterdam). A special room in the exhibition The Art of Drawing will offer a unique experience: visitors will be offered a guided viewing, like a guided meditation, with three options: an art historical story, a psychological description of father and son, and different types of musical accompaniment. With every option, you’ll discover something new in Rembrandt’s famous painting.

‘Titus Returns Home’ is made possible thanks to the ‘Buitenkans’-project of the Turing Foundation and the Vereniging Rembrandt and thanks to the lender Museum Boijmans Van Beuningen in Rotterdam. ‘Buitenkans’ offers art museums in the Netherlands the opportunity to organize a small presentation around a loan from another Dutch public collection. This is the first exhibition of this project.

SLOW LOOKING WITH TITUS

The longer you look at Rembrandt’s famous portrait of his son Titus, the more you see. In The Rembrandt House Museum you can get some one-on-one time with Titus. In the multimedia tour you will find three ways to view and experience the painting, a kind of guided meditation. Would you like a preview? Click on the video and meditate with Titus, accompanied by sounds from the artist’s studio. What effect does this sound have on how you experience the painting?